Crystalline digital delays up to 1.5 seconds without nasty self-oscillation. Luscious reverbs that seem to last forever, like a collect call from beyond the fourth dimension. Ethereal ambient soundscapes that drift off into outer space like a psychedelic shooting star. Over ten thousand pickers, grinners, heshers, singers, shredders, ivory ticklers, trumpeters, bassists, and synthesists use the Dispatch Master to make and receive music in all genres – anything from thick swatches of reverb and delay, to a quick chicken-pickin’ slapback, or even just to add a little bit of room sound to a signal that’s a tad dry.

The delay signal is clear and strong, with no gross digital artifacts or tonal degradation. The reverb is massive and cavernous. With a twist of the “Mix” knob, you’ll hear everything from subtle ambient spaces, making the Dispatch Master a useful “always on” pedal; to cavernous reflections and echoes with near-infinite repeats.

The Dispatch Master is designed to be a little more hi-fi than the Ghost Echo or Levitation, for those players looking for clean, articulate time-based effects in a versatile yet still compact footprint. The Delay and Reverb effects may be used separately or in tandem. You just have to answer the call.

The Dispatch Master is true bypass, and built one at a time by retired telephone switchboard operators in Akron, Ohio, USA, the Clark Kent of the Midwest.

Features

• Crystal clear dual digital delay and reverb
• Up to 1.5 seconds of delay time
• Capable of thick swathes of reverb/delay and short, slapback styles
• Great as an “always on” room style effect
• Designed to be a little more hi-fi than some other EarthQuaker reverbs
• True bypass
• Uses silent relay-based soft touch switching – Audio will not pass without power
• Hand made in Akron, Ohio
• Uses standard 9 volt DC power supply with a 2.1mm negative centre barrel